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Sound Art: Sound as a Medium of Art

ISBN: 978-0-262-02966-7
GTIN: 9780262029667
Einband: Fester Einband
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Essays and images that map art's new sonic cosmos, illustrated in color throughout.

This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive exhibition at ZKM | Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and internet-based sound art. Contributors then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, Turkey, Australia, and Scandinavia. The texts are accompanied by an extensive photographic documentation of the ZKM exhibition.

Texts by

Achille Bonito Oliva, Dmitry Bulatov, Germano Celant, Seth Cluett, Christoph Cox, Julia Gerlach, Ryo Ikeshiro und/and Atau Tanaka, Caleb Kelly, Brandon LaBelle, Christof Migone, László Moholy-Nagy, Daniel Muzyczuk, Tony Myatt, Irene Noy, Giuliano Obici, Carsten Seiffarth und/and Bernd Schulz, Basak Senova, Linnea Semmerling, Morten Søndergaard, Alexandra Supper, David Toop und/and Adam Parkinson, Peter Weibel, Dajuin Yao, Siegfried Zielinski

Essays and images that map art's new sonic cosmos, illustrated in color throughout.

This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive exhibition at ZKM | Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and internet-based sound art. Contributors then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, Turkey, Australia, and Scandinavia. The texts are accompanied by an extensive photographic documentation of the ZKM exhibition.

Texts by

Achille Bonito Oliva, Dmitry Bulatov, Germano Celant, Seth Cluett, Christoph Cox, Julia Gerlach, Ryo Ikeshiro und/and Atau Tanaka, Caleb Kelly, Brandon LaBelle, Christof Migone, László Moholy-Nagy, Daniel Muzyczuk, Tony Myatt, Irene Noy, Giuliano Obici, Carsten Seiffarth und/and Bernd Schulz, Basak Senova, Linnea Semmerling, Morten Søndergaard, Alexandra Supper, David Toop und/and Adam Parkinson, Peter Weibel, Dajuin Yao, Siegfried Zielinski

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AutorWeibel, Peter (Hrsg.)
VerlagMit Press
EinbandFester Einband
Erscheinungsjahr2019
Seitenangabe744 S.
AusgabekennzeichenEnglisch
MasseH28.4 cm x B22.0 cm x D6.3 cm 3'368 g
ReiheMit Press
Gewicht3368
ISBN978-0-262-02966-7

Über den Autor Peter (Hrsg.) Weibel

Peter Weibel was a media artist, art and media theorist, and curator, Chairman and CEO of the ZKM | Center for Art and Media Karlsruhe (until 2023), director of the Peter Weibel Research Institute for Digital Cultures, Vienna, and founder of Europe's first media art class (master class for visual media design) at the University of Applied Arts Vienna. Katharina Gsöllpointner is a media and art theorist focusing on the crossover of media aesthetics and digital technologies. Since 2019 she is head of the International Programmes in Sustainable Developments department at the University of Applied Arts Vienna. From 1991 to 1995, together with Peter Weibel, she was responsible for the conception and implementation of the Ars Electronica Festival in Linz. Ruth Schnell is a media artist and, as a professor at the University of Applied Arts Vienna, heads the Digital Art Department (until fall 2023). Along a critical examination of the latest media technologies, her work deals with perception and with concepts of reality. Her works have been exhibited nationally and internationally. In 1990 she participated in the 44th Venice Biennale (Aperto; with Gudrun Bielz); in 1995 she represented Austria with other artists at the 46th Venice Biennale.

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