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Heroines (eBook)

The essential feminist manifesto and 'One of the 50 greatest books by women' (Buzzfeed): 'Sharp, finely-structured, and meticulously researched' Maggie Nelson
ISBN: 978-1-4721-5944-1
GTIN: 9781472159441
Einband: Adobe Digital Editions
Verfügbarkeit: Download, sofort verfügbar (Link per E-Mail)
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'I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature'

On the last day of December 2009 Kate Zambreno, then an unpublished writer, began a blog arising from her obsession with literary modernism. Widely shared on social media, Zambreno's blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist 'wives and mistresses,' reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, her blog helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon.

In Heroines, Zambreno extends the polemic she began online into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the 'minor,' and diagnoses women for transgressing social bounds. 'ANXIETY: When she experiences it, it's pathological,' writes Zambreno. 'When he does, it's existential.'

With Heroines, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow.

'I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature'

On the last day of December 2009 Kate Zambreno, then an unpublished writer, began a blog arising from her obsession with literary modernism. Widely shared on social media, Zambreno's blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist 'wives and mistresses,' reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, her blog helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon.

In Heroines, Zambreno extends the polemic she began online into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the 'minor,' and diagnoses women for transgressing social bounds. 'ANXIETY: When she experiences it, it's pathological,' writes Zambreno. 'When he does, it's existential.'

With Heroines, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow.

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AutorZambreno, Kate
VerlagLittle, Brown Book Group
EinbandAdobe Digital Editions
Erscheinungsjahr2024
AusgabekennzeichenEnglisch
Masse843 KB
PlattformEPUB
ISBN978-1-4721-5944-1

Über den Autor Kate Zambreno

KATE ZAMBRENO, geboren 1977 in Illinois, ist Autorin, Essayistin und Dozentin. Sie war Chefredakteurin bei New City Chicago und gab an verschiedenen Colleges Kurse zu den Themen Feminismus und Kunst. Ihre Texte erschienen unter anderem in The New Yorker und The Paris Review. Ihr Buch Heroines ist eine (Wieder-)Entdeckung bisher gering geschätzter weiblicher Künstlerinnen wie Vivienne Eliot, Jane Bowles, Jean Rhys und Zelda Fitzgerald. Zuletzt erschienen The Light Room (2023), To Write As if Already Dead (2021) und Drifts (2020). Kate Zambreno unterrichtet am Sarah Lawrence College und an der Columbia University Kurse zu kreativem non-fiktionalen Schreiben und ist 2021 Guggenheim-Stipendiatin. Sie lebt mit ihrem Mann und ihren zwei Kindern in Brooklyn, New York.DOROTHEE ELMIGER, geboren 1985, lebt und arbeitet als Schriftstellerin in Zürich. Sie studierte Literarisches Schreiben am Schweizerischen Literaturinstitut in Biel und am Deutschen Literaturinstitut Leipzig sowie Geschichte, Philosophie und Politikwissenschaft in Luzern und Berlin. 2010 erschien ihr Debütroman Einladung an die Waghal- sigen, 2014 folgte der Roman Schlafgänger. Ihre Texte wurden in verschiedene Sprachen übersetzt, für die Bühne adaptiert und vielfach ausgezeichnet. Mit Aus der Zuckerfabrik stand sie 2020 auf der Shortlist für den Schweizer und für den Deutschen Buchpreis. 2022 wurde Dorothee Elmiger in die Deutsche Akademie für Sprache und Dichtung aufgenommen.

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